The English import to Broadway, King Charles III, is an imagining of what happens when Elizabeth II finally dies.
Charles has his chance at last. Camilla is in about-to-be-Queen heaven. Unfortunately, Charles’ first act is to refuse to assent to a bill from Parliament that would restrict freedom of the press, which is funny in itself given the invasion of his family’s privacy over the years.
Charles, it turns out, is not only the bleeding heart liberal we all knew him to be, but is also stubborn beyond reason. The result is a constitutional crisis and an unexpected outcome.
The actors have the Royals spot on, all of them: the new King and his consort, William and Kate, even Prince Harry. But it turns out that the most capable one of the bunch is former commoner Kate Middleton. It is Kate who plots the downfall of her father-in-law and prods William to the climactic scene where William confronts his father and demands he abdicate.
Charles looks at his son in despair and says, “I’ve only seen eyes that burned with that much ambition once before. You have Diana’s eyes.”
And England gets its fairy tale King and Queen.